is a designer, art director, curator and educator working on multidisciplinary projects

Originally from Melito Porto Salvo in the province of Reggio Calabria, where he took his first steps into the world of design. He studied at IED in Rome, earning a bachelor degree in Art Direction and Graphic Design, and later continued his education in Catania with a master in Art Direction at ABADIR. After working as a designer at Parakeet Studio in Rome, he moved to Rotterdam in the Netherlands, where he worked at Studio de Ronners, creating visual identities and exhibition design. Today he is developing his freelance practice, which allows him to work with Italian and international clients.

In 2025, with the project A Touch of Tenderness designed at studio de Ronners he received the Gold Medal at the European Design Awards in Ljubljana, marking an important moment in his career.

He is the cofounder of VisualBleed, an Instagram page and editorial project dedicated to researching, selecting, and sharing content related to the visual arts.

Since 2025 he has been teaching at IED, where he leads the course in Phenomenology of Contemporary Arts within the Visual Communication Design bachelor program with a specialization in Graphic Design.

Services

Art direction

Brand Identity

Exhibition Design

Web Design

Editorial Design

Textile Design

Past Jobs

Parakeet Studio, Rome

studio de Ronners, Rotterdam

I worked also for

Nike

RedBull

Amazon Prime Video

Meta Facebook

Crocs

PDF

Domenico Formichetti

NM3

Jameson

Awards

Cinecittà IED Awards
Gold European Design Awards

Personal Projects

Founder & Curator VisualBleed

Founder studio IONIO

Kiliacci2025

Kiliacci’s visual identity was built around a flexible logotype developed in two versions and paired with a custom symbol. The project explores the balance between experimentation and permanence, resulting in a graphic system that challenges conventions while establishing a distinctive, contemporary, and enduring visual language.

Brand Identity

Done in collaboration with Alessio Palazzi

Tech Hunter Jacket2026

The graphic system developed for this limited edition jacket interprets TECHUNTER's visual language through a series of bold applications designed directly for the garment. Created in collaboration with Alessio Palazzi, the graphics strengthen the project's identity while respecting the jacket's technical construction and functional character.

Graphic Design

Done in collaboration with Alessio Palazzi

Overlude2025

The visual identity for Overlude reflects the company's multidisciplinary approach to digital transformation, balancing technology with a human centered perspective. Built as a flexible and contemporary system, the identity conveys clarity, adaptability, and innovation across every touchpoint, supporting the brand's evolution in an ever changing digital landscape.

Brand Identity

Icons made by Giuseppe Laezza

Formichetti HD2026

Developed for Domenico Formichetti’s personal brand, the visual identity translates his eclectic universe into a distinctive and flexible graphic system. Through VisualBleed, we shaped a visual language that connects fashion, street culture, and contemporary design, reflecting the energy and attitude behind his creative vision.

Brand Identity

Done in collaboration with Alessio Palazzi & Enrico Neri

PDF for Chris Brown2026

Created in collaboration with Domenico Formichetti, the project involved the design of custom patches for a jacket worn by Chris Brown during his live performance. Inspired by the titles of selected tracks, the graphics translate musical references into a visual language, creating a connection between the artist’s identity, performance, and garment.

Graphic Design

Done in collaboration with Alessio Palazzi & Enrico Neri

NM32025

Created for VisualBleed’s curated Shop, this project presents the NM07 by NM3 through a visual exploration focused on form, material, and presence. The exclusive black edition was captured through a raw and cinematic approach, highlighting the object’s character while reinforcing VisualBleed’s perspective on contemporary culture and design.

Brand identity

Done in collaboration with Alessio Palazzi, Enrico Neri & Nicolas Vazquez

Studio Traccia2025

Designed for Studio Traccia, the website reflects the studio’s architectural vision through a clean and research-driven digital system. The experience balances visual storytelling and functional navigation, creating a space where architecture, projects, and creative processes can unfold naturally.

Web Design

www.studiotraccia.com

Boeken als2024

Developed for Boeken Als at Huis van het Boek, the exhibition identity explores the book as both cultural artifact and contemporary object. The visual system is driven by typography, balancing structure and expression while reflecting the evolving role of printed matter. A recurring rope element weaves through the compositions, connecting and disrupting the graphic language to create a dynamic and distinctive identity.

Exhibition Design

designed at studio de Ronners

Time is Running2025

Time Is Running explores the relationship between movement and stillness, translating the continuous flow of time into a visual language. Inspired by Eadweard Muybridge’s studies on motion, the project captures the tension between fragmented moments and the creation of something enduring. Produced in collaboration with Lanificio Leo, the work combines research, storytelling, and textile experimentation.

Textile Design

Mmucciatu2023

Mmucciatu explores the relationship between identity, territory, and concealment through a generative typographic system applied to an extrafine merino wool plaid. Inspired by Calabria’s landscape and cultural fabric, the design uses code-generated patterns to obscure and reveal the typography, creating a visual metaphor for belonging, memory, and hidden stories.

Textile Design

Photos by Davide Locatelli

Framing graphics2021

The project explores the relationship between cinema and graphic design through an editorial archive of visual elements collected from selected films. By cataloguing frames, typography, and graphic interventions, the publication highlights the often overlooked role of designers in filmmaking, transforming research into a dynamic system of analysis and visual storytelling.

Editorial Design

Done in collaboration with Matteo Mastromoro and Claudia Nazionale

Misc2026

A selection of projects developed across different areas of design, combining graphic experimentation, visual systems, digital experiences, and creative research. A collection of diverse outcomes that reflects an ongoing exploration of form, communication, and visual culture.

Mixed